By James Lee Burke
Clutching the shards, of his shattered lifestyles, Cajun detective Dave Robicheaux has rejoined the hot lberia police force.
His associate is dead--slain in the course of a condemned prisoner's bloody flight to freedom that left Robicheaux severely wounded and reawakened the ghost of his haunted, violent past.
Following the path of the escaped convicts, Robicheaux is quickly drawn again to New Orleans.But this time, the stakes are even higher.He's operating for the DEA undercover in an try to incriminate Tony Cardo, a clinically insane drug lord.But all Robicheaux's fairly acquired is revenge at the brain. And he'll in simple terms be happy whilst the killers who upended his existence were delivered to justice.
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Additional resources for A Morning for Flamingos (Dave Robicheaux Series, Book 4)
138. ‘Discours des trois unités’, in Writings, p. 63. René Bray, La Formation de la doctrine classique en France (Paris: Nizet, 1927; repr. 1974), p. 322. Philip J. ’, Australian Journal of French Studies, 4 (1967), 140-48 (p. 142). Gossip, for example, comments: ‘Amid these re-affirmations of largely fixed attitudes, it is indeed difficult to detect the presence of much surprise, let alone suspense’ (p. 66). 49 La Mort de Mitridate return to hope at the beginning of each of the central acts, there is also a return to the alternative of death.
1551), her vertu is universally acknowledged (ll. 266, 690, 1505). 213). An ideal of womanhood: beautiful physically, morally and spiritually, she is a French version of Goethe’s Ewig-weibliche, capable of inspiring man, drawing Mitridate out of despair, for example, and renewing his spirit. Were it not for the fact that she is also very human, her sévérité would class her alongside the heroines of La Calprenède’s novels. But Bérénice is humanized by the fact that, despite her principles, she still loves her husband.
Pharnace is a character of mixed motives. For much of the play he rationalizes to himself that his father’s rule has been so harsh that it is for the best of the people of Pontus that he take the crown. An opportunist, he figured his chances were better with a winning rather than a losing side, and, having cast in his lot with Rome, there is now no way out. 4). 442-46) and leaves Émile to keep an eye on him as Rome’s useful tool. 1084). 4). Like his father, he has a past persona and a present persona.